SUPERJOINT Premieres “Ruin You” At Decibel; Record Release Show Tickets On Sale Now

SUPERJOINT Premieres “Ruin You” At Decibel; Record Release Show Tickets On Sale Now
SUPERJOINT Premieres "Ruin You" At Decibel; Record Release Show Tickets On Sale Now
[photo by Jody Dorignac]
In less than one month, SUPERJOINT will unleash the punishing wares of their Caught Up In The Gears Of Application full-length. Captured at Nodferatu’s Lair, the eleven-track offering marks the band’s first new output since 2003’s critically-lauded Lethal Dose Of American Hatred. Produced by SUPERJOINT co-founder Philip H. Anselmo (Down, Pantera, Scour, Philip H. Anselmo & The Illegals, Arson Anthem etc.) and Stephen Berrigan (Down, Philip H. Anselmo & The Illegals, Eyehategod, Haarp, Classhole, etc.) and mastered by Scott Hull (Agoraphobic Nosebleed, Pig Destroyer) at Visceral Sounds, Caught Up In The Gears Of Application remains true to SUPERJOINT‘s original strategy: to spew forth an acrimonious crossover of hardcore punk, metal, and unrelenting, hostile, New Orleans-style angst.
In advance of its release, today Decibel Magazine is streaming “Ruin You,” commending a “powerhouse of a cut,” and noting, “the album shreds, with killer riffs — care of southern-metal OG Jimmy Bower — all over the place.”
Adds Anselmo of the track, “This song is an example of how a basic, rock-driven song can still be a powerful thing, in musical standards and lyrical content as well.”

Hear “Ruin You,” now at THIS LOCATION.
And if you missed it, sample first single, “Sociopathic Herd Delusion,” still streaming at Revolver Magazine, at THIS LOCATION.
Caught Up In The Gears Of Application will see official release via Anselmo’s own Housecore Records on November 11th, 2016. Preorders bundles are available via Housecore at THIS LOCATION. For digital preorders, point your browser HERE or HERE.
SUPERJOINT will bring their venom to the stage for their official record release show on November 12th, 2016 in Dallas, their only US appearance of the year. Tickets are on sale now!
SUPERJOINT:
11/12/2016 Gas Monkey Live! – Dallas, TX w/ Tombs, Warbeast, Wolvhammer, Protest [tickets]
SUPERJOINT was resurrected in 2015 after the original band broke up a decade earlier. At the behest of the late Corey Mitchell, co-founder of The Housecore Horror Film Festival, SUPERJOINT founders Anselmo, Jimmy Bower (Down, Eyehategod), and Kevin Bond (Christ Inversion, Artimus Pyledriver et al) joined forces with longtime comrades, drummer José “Blue” Gonzalez (Warbeast, Philip H. Anselmo & The Illegals) and bassist Stephen Taylor (Philip H. Anselmo & The Illegals, Woven Hand, 16 Horse Power). A new era of the band was born.
Consequently, the band members found true joy in playing together again. After just two tours, new material followed culminating in the scathing sounds of Caught Up In The Gears Of Application. “The minute we started writing, I knew this record would be brutal,” reflects Bower, “Sticking to our true hardcore roots and signature SUPERJOINT sound, we accomplished a record that needed to happen in today’s underground. It’s pissed off! After being on hiatus for eleven-plus years, the chance at a new SUPERJOINT record wasn’t something we took lightly. With newcomers Steven and Joey, we were psyched and eager to get in the Lair and start writing and after two tours with the new lineup, we were able to hit the writing hard! Didn’t take long to accomplish, and we stood and smirked at the playback of what would be the new SUPERJOINT record. With songs like ‘Receiving No Answer To The Knock’ and ‘Sociopathic Herd Delusion’ we had everything to smirk about! This record brings our viscous style of hardcore back to life. Pissed off with everything to prove, SUPERJOINT is back!”
Adds Anselmo of the offering, “The overall theme means many things, or no things, but there is an underlying message regardless, about how modern technology – computers and all that comes with them, mainly – has affected our lives. As a musician, it has affected my life both negatively (music being stolen) and positively (being in touch with fellow musicians around the world and staying visible). But when looking at the broader spectrum, computer-land has given everyday people a platform in which to bellow like carnival barkers about anything and everything, humdrum or political, whether qualified or not, some with good intentions, some with ideas that lay somewhere in the middle, creating a mishmash of results.”
 
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